Who wrote Blue in Green?
Which musician recorded Kind of Blue in 1959?
How was kind of blue recorded?
Kind of Blue was recorded on three-track tape in two sessions at Columbia Records’ 30th Street Studio in New York City. Only “Flamenco Sketches” yielded a complete take on the first try. That take, not the master, was issued in 1997 as a bonus alternate take.
Who wrote Flamenco Sketches?
How many copies has Kind of Blue sold?
5 million copies
What mode is Blue in Green in?
“Blue in Green” is the third tune on Miles Davis’ 1959 album, Kind of Blue. One of two ballads on the LP (the other being “Flamenco Sketches”), the melody of “Blue in Green” is very modal, incorporating the presence of the Dorian, Mixolydian, and Lydian modes.
Who played drums on Kind of Blue?
When was kind of blue released?
What genre is kind of blue?
What does free jazz mean?
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Others have used “modern jazz”, “creative music”, and “art music”.
When did free jazz became popular?
Which form of jazz first introduced nonconventional instruments?
What is another term for 12-tone music?
The twelve-tone technique”also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition”is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his “law of the twelve tones” in 1919.
What are the 12 tones in music?
The basic order for any one composition came to be known as its basic set, its 12-tone row, or its 12-tone series, all of which terms are synonymous. The basic set for Schoenberg’s Wind Quintet (1924) is E♭”G”A”B”C♯”C”B♭”D”E”F♯”A♭”F; for his String Quartet No. 4 (1936) it is D”C♯”A”B♭”F”E♭”E”C”A♭”G”F♯”B.
How do you make 12-tone rows?
Create a Twelve-Tone Melody With a Twelve-Tone Matrix
What did Arnold Schoenberg contribute to music history?
Arnold Schoenberg was an Austrian-American composer who created new methods of musical composition involving atonality, namely serialism and the 12-tone row. He was also an influential teacher; among his most significant pupils were Alban Berg and Anton Webern.
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